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  • Museum hall showing Dissolve 15
    Dissolve (installation view), 2022, UCI Jack and Shanaz Langson Institute and Museum of California Art, photo by Jeff McLane
  • Joe Goode, Untitled, from the series Vandalism II, 1975, Oil on canvas, 60 x 60 in. The Buck Collection at UCI Institute and Museum of California Art, © 2018 Joe Goode
    Joe Goode, Untitled, from the series Vandalism II, 1975, Oil on canvas, 60 x 60 in. The Buck Collection at UCI Jack and Shanaz Langson Institute and Museum of California Art, © 2018 Joe Goode
  • Erica Deeman, Untitled 19, from the series Silhouettes, 2014, Digital Chromogenic Print 45 x 45 in. Courtesy of the artist and Anthony Meier Fine Art, San Francisco, © Courtesy of the artist and Anthony Meier Fine Art, San Francisco
    Erica Deeman, Untitled 19, from the series Silhouettes, 2014, Digital Chromogenic Print 45 x 45 in. Courtesy of the artist and Anthony Meier Fine Art, San Francisco, © Courtesy of the artist and Anthony Meier Fine Art, San Francisco
  • Dissolve (installation image), 2022, UCI Jack and Shanaz Institute and Museum of California Art, photo by Jeff McLane
    Dissolve (installation view), 2022, UCI Jack and Shanaz Langson Institute and Museum of California Art. Photo by Jeff McLane
  • Sonia Romero, Inner Landscape, 2011, Silkscreen, 26 x 42 in. The Buck Collection at UCI Institute and Museum of California Art, © 2011 Sonia Romero
    Sonia Romero, Inner Landscape, 2011, Silkscreen, 26 x 42 in. The Buck Collection at UCI Jack and Shanaz Langson Institute and Museum of California Art, © 2011 Sonia Romero

Dissolve

Curated by Bridget R. Cooks, PhD

September 24 – December 10, 2022

UCI University Art Gallery, 712 Arts Plaza, Irvine, CA

Dissolve explored how certain artists perceive what it means to change from one form to another. Through painting, photography, sculpture, installation, and video, selected artworks demonstrated how gradual and immediate changes impact viewers’ perceptions of self, one another, and the shared environment. Adopting an inclusive view of the process of dissolving, the featured artists visualized the physical dissolution of light, water, distance, and geographic borders. They also addressed the dissolution of personal relationships, identity, and social and political networks.

The exhibition included works on loan, selections from Langson IMCA’s permanent collection, and two new commissions. Multimedia environmental artist and activist Linda Gass created When we listen to the watershed... (2022) to address the changing Santa Ana River Watershed that serves as a resource for Orange County residents. She collaborated with Valerie Olson, PhD, UCI professor in anthropology at UC Irvine, in the development of this new work informed by  Olson’s knowledge and research. Interdisciplinary artist, writer, and performer Kenyatta A.C. Hinkle created THEY: Sanctuary [Allensworth] (2022), three photo-based paintings about Allensworth, CA, the state’s first all-African American town. Bolstered by archival research, Hinkle’s artwork considers Allensworth’s transformation from township to state park.

Walk through the exhibition

Download Recommended Reading Guide

Descargar texto de la exhibición en español

 

Recordings of Public Programs

In Conversation | Linda Gass + Valerie Olson, PhD

In Conversation | Ana Teresa Fernández + Abigail Lapin Dardashti

In Conversation | Kenyatta A.C. Hinkle + Bridget R. Cooks, PhD

 

Exhibition-related Films

Allensworth: A Temple of Black Possibilities

Sonia Romero: Inner Landscape

Linda Gass: When we listen to the watershed...

MAILING ADDRESS
UC Irvine Jack and Shanaz Langson
Institute and Museum of California Art
University of California, Irvine
Irvine, CA 92697-1010

INTERIM MUSEUM LOCATION
18881 Von Karman Avenue
Suite 100
Irvine, CA 92612

HOURS
Tuesday – Saturday | 10 am – 4 pm
Sunday & Monday | Closed

949-824-1449
imca@uci.edu

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Langson IMCA’s ongoing collections research continues to provide new information, which will result in updates, revisions, and enhancements to object records. At the time of publication image credits are reviewed by Langson IMCA’s curatorial staff and reflect the most current information the museum has in its database but may be incomplete.