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painting of a freeway sign with symbols for Interstate 5 and Highway 101, and the words South and Santa Ana and three white arrows pointing down on a black background
Roger Kuntz, Santa Ana Arrows, From the series Sign , circa 1962, Oil on canvas, 60. 72 in. The Buck Collection at UCI Jack and Shanaz Langson Institute and Museum of California Art

Santa Ana Arrows

Roger Kuntz

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Musings | Monthly Muse May 2022

When I moved to California in 2016, I was shocked by the car culture. The speed, intensity, and congestion were like nothing I had experienced. Santa Ana Arrows by Roger Kuntz captures a glimpse of the vast automotive infrastructure that suffuses and shapes our everyday lives in the Orange County-Los Angeles megalopolis. The seemingly flat surface on which Kuntz marks linguistic symbols and icons (the stuff of so much Pop art) is all about space, depth, and tactility. What I notice here is the way a streak of daylight cuts across the center of the composition, leaving the corners in shadow. As opposed to the signage that I normally pass which is bathed in bright white light, Kuntz’s selective focus suggests surrounding architecture—nearby structures block out part of the daylight, exposing only a portion of the sign to its rays. How will this streak of light change as the sun moves through the sky? Where will I be when that happens? Long gone. Or maybe stuck in traffic.

Scott Volz, ’22, PhD (Visual Studies)
Graduate Curatorial and Research Assistant, Langson IMCA

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Langson IMCA’s ongoing collections research continues to provide new information, which will result in updates, revisions, and enhancements to object records. At the time of publication image credits are reviewed by Langson IMCA’s curatorial staff and reflect the most current information the museum has in its database but may be incomplete.