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  • William Alexander Griffith In Laguna Canyon, 1928, Oil on canvas, 30 1/4 x 40 1/4 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum from prior gift of Josephine N. Milnor
    William Alexander Griffith In Laguna Canyon, 1928, Oil on canvas, 30 1/4 x 40 1/4 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum from prior gift of Josephine N. Milnor
  • Curtis Chamberlin, The Old Coast Road (Arch Beach Road), after 1917, Oil on board, 19 7/8 x 35 7/8 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
    Curtis Chamberlin, The Old Coast Road (Arch Beach Road), after 1917, Oil on board, 19 7/8 x 35 7/8 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
  • Angel Espoy, Untitled (Poppies, Lupines and Cows), after 1914, Oil on canvas, 30 1/8 x 40 3/8 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
    Angel Espoy, Untitled (Poppies, Lupines and Cows), after 1914, Oil on canvas, 30 1/8 x 40 3/8 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
  • Foster: Ben Foster, Irvine Orange Grove, between 1910 and 1919, Oil on canvas, 18 1/4 x 22 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
    Ben Foster, Irvine Orange Grove, between 1910 and 1919, Oil on canvas, 18 1/4 x 22 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
  • John M. Gamble, Red Buckwheat, Santa Barbara, after 1906, Oil on canvas, 28 1/4 x 42 1/4 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
    John M. Gamble, Red Buckwheat, Santa Barbara, after 1906, Oil on canvas, 28 1/4 x 42 1/4 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
  • Aaron Kilpatrick, Eucalyptus, 1911, Oil on canvas, 36 x 48 1/8 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
    Aaron Kilpatrick, Eucalyptus, 1911, Oil on canvas, 36 x 48 1/8 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
  • Marion Kavanagh Wachtel, Long Lake, Sierra Nevada, circa 1929, Oil on canvas, 20 1/8 x 26 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
    Marion Kavanagh Wachtel, Long Lake, Sierra Nevada, circa 1929, Oil on canvas, 20 1/8 x 26 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
  • Raymond Dabb Yelland, Donner Lake, 1890, Oil on canvas, 23 x 19 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum
    Raymond Dabb Yelland, Donner Lake, 1890, Oil on canvas, 23 x 19 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art. Gift of The Irvine Museum

Habitat: Making the California Environment

September 20, 2025 – January 10, 2026

Curated by : James Nisbet

Habitat: Making the California Environment considers landscape painting from the late 19th and early 20th century as a time capsule of California’s ecological world. The works in this exhibition reflect a moment of transformation—after European contact but before the state’s environments were drastically reshaped by rapid urban development. These plein-air landscapes offer a view into California’s environmental past while inviting reflection on present-day ecological concerns, such as invasive species and habitat loss.

In a first-time feature at Langson IMCA, the exhibition also includes a newly commissioned sound work, Landscape Hocket (Orange County). This immersive audio installation draws on early 20th-century California landscape paintings from the IMCA collection—specifically, coastal works by Curtis Chamberlain and Frederick Melville DuMond. Using field recordings, electromagnetic and subsonic audio capture, and sonified plant data, the piece listens to the original sites of these paintings more than a century later. The result is a layered sonic portrait that traces the evolution of these landscapes’ soundscapes and ecologies over time.

Developed in collaboration with a UCI botany researcher, Landscape Hocket (Orange County) highlights native coastal grasses depicted in the paintings that are now rare or absent in the region. In doing so, it expands our understanding of landscape representation—not only visually, but sonically and temporally. The sound work offers a compelling, sensory dimension to Habitat, enriching the exhibition’s exploration of how art, nature, and history continue to shape the California we know today.

About the curator:

James Nisbet is Professor and Chair in the Department of Art History and Ph.D. Program in Visual Studies at the University of California, Irvine, and Director of the Environmental Humanities Research Center. He has published widely on the history and theory of ecocritical visual art and aesthetics from late modernism to the present. His recent book projects include Second Site (Princeton University Press, 2021), and, as editor with Lyle Massey, The Invention of the American Desert: Art, Land, and the Politics of Environment (University of California Press, 2021).

Public Programs

Saturday, September 20: Gallery Talk with Exhibition Curator, James Nisbet, Ph.D.

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UC Irvine Jack and Shanaz Langson
Institute and Museum of California Art
University of California, Irvine
Irvine, CA 92697-1010

INTERIM MUSEUM LOCATION
18881 Von Karman Avenue
Suite 100
Irvine, CA 92612

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Tuesday – Saturday | 10 am – 4 pm
Sunday & Monday | Closed

949-824-1449
imca@uci.edu

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Langson IMCA’s ongoing collections research continues to provide new information, which will result in updates, revisions, and enhancements to object records. At the time of publication image credits are reviewed by Langson IMCA’s curatorial staff and reflect the most current information the museum has in its database but may be incomplete.