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Media Release

UC Irvine Jack and Shanaz Langson Institute and Museum of California Art Announces Spring 2025 Exhibition

UC Irvine Jack and Shanaz Langson Institute and Museum of California Art Announces Spring 2025 Exhibition

Common Ground: Early 20th-Century Artist Communities in Southern California

On view February 8𑁒May 17, 2025

William Alexander Griffith, In Laguna Canyon, circa 1928, Oil on canvas, 30 x 40 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art, Gift of The Irvine Museum.
William Alexander Griffith, In Laguna Canyon, circa 1928, Oil on canvas, 30 x 40 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art, Gift of The Irvine Museum.

Irvine, CA…UC Irvine Jack and Shanaz Langson Institute and Museum of California Art (Langson IMCA) announced its new exhibition Common Ground: Early 20th-Century Artist Communities in Southern California. Common Ground examines artistic communities in Laguna Beach, La Jolla, and Los Angeles in the early 20th century and their influence on California plein air painting. On view February 8 through May 17, 2025, the presentation of 36 paintings, works on paper, porcelain, and bronze pieces is organized by graduate students from UC Irvine’s Visual Studies Ph.D. program: Ileana De Giuseppe, Zachary Korol Gold, and Dada Wang.

Artists formed clubs and associations ranging from highly selective to open membership to cultivate friendships, enable artistic exchange, and show their work to the public. Key figures from each of these communities are represented alongside their stories. For example, George Gardner Symons and William Wendt traveled together and painted in each other’s company whereas Frank Cuprien and Maurice Braun transformed their homes into galleries and gathering places for fellow artists.

Co-curators De Guiseppe, Gold, and Wang said, “Together, these artists promoted a mythical image of California as an untamed frontier that belies both the active social networks they created and the emerging suburbanization they helped foster in these places.”

Laguna Beach

In 1918, a group of artists, including Frank Cuprien, Anna Althea Hills, and Edgar and Elsie Palmer Payne, established the Laguna Beach Art Association (LBAA) to foster artistic and intellectual exchange. These artists often depicted the idyllic local landscapes in their works, enhancing the area’s reputation as an artistic haven and tourist destination. By capturing the rocky coastline and the area’s rolling hills, respectively, William Lees Judson’s The Wendts at Laguna Beach (between 1912-1928) and William Alexander Griffith’s In Laguna Canyon (c.1928) evoke remoteness in dramatic natural settings.

Unlike some other groups, LBAA supported women artists and heightened their reputations by exhibiting their work. They also welcomed members of other artistic communities in Southern California, including the California Art Club and Women Painters of the West. Over decades, LBAA accrued a sizable permanent collection and began operating as the Laguna Art Museum in 1972.

 

La Jolla

Alfred Richard Mitchell, La Jolla Shores, circa 1936, Oil on canvas, 40 x 50 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art, Gift of The Irvine Museum.
Alfred Richard Mitchell, La Jolla Shores, circa 1936, Oil on canvas, 40 x 50 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art, Gift of The Irvine Museum.

British newspaper magnate Ellen Browning Scripps moved to San Diego in 1896 and built a home in La Jolla. A patron of the arts,

Scripps agreed to fund the La Jolla Art Association in 1918. Proposed by Eleanor Parkes, who became the organization’s president, its founding members included Maurice Braun, Charles Fries, and Alfred Mitchell, among others. Progressive in nature and led by women, the association’s first exhibition was hosted by the Woman’s Club in La Jolla in 1919.

In 1929, Alfred Mitchell, his mentor Braun, and fellow artist Fries co-founded the Associated Artists of San Diego. Later renamed the Contemporary Artists of San Diego, this group represented the thriving professional art community that had emerged in the region. Mitchell’s La Jolla Shores provides a panoramic view of the beachfront community in 1936.

 

Los Angeles

Founded in 1906, the Painters’ Club of Los Angeles was a short-lived artist association that was invitation-only membership and limited to men, thereby excluding notable Los Angeles artists such as Marion Kavanaugh Wachtel and Julia Bracken Wendt.

Benjamin Brown, Autumn Glory, circa 1920, Oil on canvas, 28 x 36 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art, Gift of The Irvine Museum.
Benjamin Brown, Autumn Glory, circa 1920, Oil on canvas, 28 x 36 in. UC Irvine Jack and Shanaz Langson Institute and Museum of California Art, Gift of The Irvine Museum.

Committed to depicting the California landscape, the group was championed by Antony Anderson, a founding member of the club and the first art critic for the Los Angeles Times. The club disbanded in 1909 despite its growth and well-attended exhibition program. Accounts attribute the club’s demise to disgruntled members irked when their works were not selected for the club’s second and final juried exhibition.

Jack Wilkinson Smith helped found the California Art Club and established the Biltmore Salon, a local gallery dedicated to promoting Southern California artists. Benjamin Brown’s Autumn Glory (c.1920) and William Wendt’s The Lake(1940) portray pristine landscapes that were still relatively accessible to Los Angeles.

Public programs will be announced at imca.uci.edu in early 2025.

 

 

About UC Irvine Jack and Shanaz Langson Institute and Museum of California Art

UC Irvine Jack and Shanaz Langson Institute and Museum of California Art (Langson IMCA) is home to two foundational gifts of California Art from The Irvine Museum and Gerald E. Buck estate. In addition, the permanent collection of more than 4,700 works from the late 19th century and early 20th century through present day continues to grow, augmented by acquisitions and gifts. The university is planning to construct a permanent museum and research institute to serve as a global magnet for the presentation and study of California Art within its social, historical, environmental, and cultural frameworks. Langson IMCA is currently located in an interim museum space at 18881 Von Karman Avenue, Suite 100, in Irvine, CA. It is open to all Tuesday through Saturday 10 am to 4 pm. Admission and parking up to two hours are free. For more information, visit imca.uci.edu. Follow us on Instagram @langsonimca.

About the University of California, Irvine

Founded in 1965, UC Irvine is a member of the prestigious Association of American Universities and is ranked among the nation’s top 10 public universities by U.S. News & World Report. The campus has produced five Nobel laureates and is known for its academic achievement, premier research, innovation, and anteater mascot. Led by Chancellor Howard Gillman, UC Irvine has more than 36,000 students and offers 224 degree programs. It’s located in one of the world’s safest and most economically vibrant communities and is Orange County’s second-largest employer, contributing $7 billion annually to the local economy and $8 billion statewide. For more on UC Irvine, visit www.uci.edu.

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Media Contacts

For additional information, Libby Mark or Heather Meltzer at Bow Bridge Communications, LLC, New York City; info@bow-bridge.com.

Filed Under: Media Release, News

 UC Irvine Jack and Shanaz Langson Institute and Museum of California Art Announces Appointment of Alaina Claire Feldman as Inaugural Chief Curator

October 16, 2024

 UC Irvine Jack and Shanaz Langson Institute and Museum of California Art Announces Appointment of Alaina Claire Feldman as Inaugural Chief Curator

Irvine, CA… UC Irvine Jack and Shanaz Langson Institute and Museum of California Art (Langson IMCA) today announced the appointment of Alaina Claire Feldman as inaugural chief curator, effective January 6, 2025. She will support the curatorial vision of Langson IMCA and the design and development of its exhibition and collection strategies.

Alaina Claire Feldman, Inaugural Chief CuratorWorking closely with faculty, staff, students, UC Irvine leadership, and the broader community, Feldman will collaboratively advance Langson IMCA’s commitment to interdisciplinary research, scholarship, presentation, preservation, and education.

She joins Langson IMCA at a time when UC Irvine aims to position arts at the center of its educational mission as a leading public university known for its rigor in research and innovation.

Feldman currently serves as director and curator of the Mishkin Gallery at Baruch College, The City University of New York (CUNY), a public university. Previously she was director of exhibitions at Independent Curators International (ICI), New York. In addition to organizing more than 20 exhibitions, she has edited numerous publications and participated in panels and committees internationally.

During her tenure, Feldman heightened Mishkin Gallery’s profile by touring presentations of its

collection while building partnerships with art and academic institutions across New York and in Zurich, São Paulo, Porto, San Juan, and Tbilisi. In addition to participating in related campus initiatives, Feldman is an adjunct professor in Baruch College’s Fine and Performing Arts department and CUNY’s Macaulay Honors College. She will serve as a guest curator for an inaugural exhibition when the new Taichung Art Museum opens in Taiwan next winter.

“Langson IMCA’s superpower is harnessing the research and innovation of the 15 schools on UC Irvine’s campus,” said Richard Aste, Ph.D., interim museum director of Langson IMCA. “Alaina’s proven record of successful academic engagement across one of our country’s leading urban universities will help us take our superpower to the next level.”

Feldman said, “I am excited to join the very talented staff at Langson IMCA and to collaborate with the brilliant faculty and students at UC Irvine. Langson IMCA is the perfect place to activate interdisciplinary work by bringing together artists, scholars, and the greater community. I plan to continue the campus’ rich legacy of fostering experimental artist-driven programs as a catalyst for new inquiry and creativity.”

Feldman earned an M.A. from the Graduate Center at CUNY and B.A. from the Pratt Institute, New York.

About UC Irvine Jack and Shanaz Langson Institute and Museum of California Art

UC Irvine Jack and Shanaz Langson Institute and Museum of California Art (Langson IMCA) is home to two foundational gifts of California Art from The Irvine Museum and Gerald E. Buck estate. In addition, the permanent collection of more than 4,700 works from the late 19th century and early 20th century through present day continues to grow, augmented by acquisitions and gifts. The university is planning to construct a permanent museum and research institute to serve as a global magnet for the presentation and study of California Art within its social, historical, environmental, and cultural frameworks. Langson IMCA is currently located in an interim museum space at 18881 Von Karman Avenue, Suite 100, in Irvine, CA. It is open to all Tuesday through Saturday 10 am to 4 pm. Admission and parking are free. For more information, visit imca.uci.edu. Follow us on Instagram @langsonimca.

About the University of California, Irvine

Founded in 1965, UC Irvine is the youngest member of the prestigious Association of American Universities. The campus has produced three Nobel laureates and is known for its academic achievement, premier research, innovation, and anteater mascot. Led by Chancellor Howard Gillman, UC Irvine has more than 33,000 students and offers 222 degree programs. It is located in one of the world’s safest and most economically vibrant communities and is Orange County’s second-largest employer, contributing $5 billion annually to the local economy. For more on UC Irvine, visit www.uci.edu.

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Media Contacts

For additional information, Libby Mark or Heather Meltzer at Bow Bridge Communications, LLC, New York City; info@bow-bridge.com.

Photo: Isabel Asha Penzlien

Filed Under: Media Release, News

Jack and Shanaz Langson Institute and Museum of California Art presents New Exhibition Celebrating Summer in the Golden State

Jack and Shanaz Langson Institute and Museum of California Art presents New Exhibition Celebrating Summer in the Golden State

Picturing Summer on view July 20  ̶ September 14, 2024

William Lees Judson, California Coast, before 1928, Oil on canvas, 34 x 42 in. The Buck Collection at UCI Jack and Shanaz Langson Institute and Museum of California Art.

William Lees Judson, California Coast, before 1928

Irvine, CA…UCI Jack and Shanaz Langson Institute and Museum of California Art (Langson IMCA) presents its new exhibition celebrating summer leisure activities and the state’s natural environment. Picturing Summer comprises 32 paintings dating from the late 19th to mid-20th century drawn from Langson IMCA’s collection supplemented by five works on loan from private collections. Eighteen works have never before been on public display. The selection of landscapes depicts verdant meadows in the state’s northern regions, shorelines and beaches, and mountains of the Pacific Coast Ranges and Sierra Nevadas. Figures appear in domestic scenes, participate in maritime activities, and enjoy the outdoors with friends.

On view July 20 through September 14, 2024, the exhibition is organized by guest curator Susan Davidson with interpretive text by UCI graduate student Dada Wang.

William Lees Judson, Avalon Bay, 1895, Oil on canvas, 12 x 19 in. UCI Jack and Shanaz Langson Institute and Museum of California Art, Gift of The Irvine Museum.
William Lees Judson, Avalon Bay, 1895

The state’s often-booming economy and expanded travel options by car and rail, among other factors, enabled a range of pastimes, including beach-going, fishing, hiking, and boating. These activities generated their own forms of vernacular architecture in coastal and mountainous regions. Whereas a number of paintings depict outdoor ventures in nature, others illustrate more intimate moments shared by friends and families.

Wang provided further commentary. “Purposefully mounted during the summer months, the exhibition invites Langson IMCA visitors to immerse themselves in the delights of the season and recall their own cherished memories of summer.”

Picturing Summer is organized in five sections. The first, “Leisurely Days,” portrays the private lives of ordinary people. Revealing moments of everyday activities, these paintings convey
a sense of domestic tranquility while evoking universal themes of connection and belonging as in Joseph Kleitsch’s figures gardening in Red and Green (1923).

David Park, Forest Trail, circa 1954, Oil on canvas, 25 x 50 in. The Buck Collection at UCI Jack and Shanaz Langson Institute and Museum of California Art. © Courtesy of Hackett Mill, representative of the Estate of David Park
David Park, Forest Trail, circa 1954

The “Sun and Sand” section includes works by plein air painters who established studios and homes along the coast. Donna Schuster, for example, purchased a small house in Laguna Beach and spent her summers there, and Claude Buck made the beach-lined city of Santa Barbara his permanent home. Expanses of sand and sea offered artists abundant material as evident in E. Roscoe Shrader’s On the Beach (1936), featuring lounging figures at the shore.
David Park, Forest Trail, circa 1954

“Off the Beaten Path” features paintings of mountainous and forested landscapes that served as both subject matter and muse. The works fueled public interest in experiencing California’s natural wonders firsthand. Marion Kavanaugh Wachtel scaled wild terrain to capture secluded landscapes such as the one she pictured in Long Lake, Sierra Nevada (c. 1929) while David Park’s Forest Trail (c. 1954) affirmed hiking as a popular activity.

Phil Dike, Corona del Mar (Newport Harbor), 1932
Phil Dike, Corona del Mar (Newport Harbor), 1932

In the fourth section, “On the Water,” the dynamic maritime culture inspired artists who sought to capture the vibrant coastal lifestyle, leisure and working boats, and seafaring activities as illustrated in Phil Dike’s Corona del Mar, (Newport Harbor) (1932), and William Lee Judson’s California Coast (before 1928).

“Coastal Living” presents the natural beauty of the inhabited coast including fishing villages, weathered houses, and the region’s unique architectural heritage like those pictured in William Lee Judson’s Avalon Bay (1895) and Phil Dike’s Corona del Mar, aka Newport Harbor,1932. Phil Dike, Corona del Mar (Newport Harbor), 1932

Please check imca.uci.edu for public programs presented in conjunction with Picturing Summer.

 

About UCI Jack and Shanaz Langson Institute and Museum of California Art
UCI Jack and Shanaz Langson Institute and Museum of California Art (Langson IMCA) is home to two foundational gifts of California Art from The Irvine Museum and Gerald E. Buck estate. In addition, the permanent collection of more than 4,700 works from the late 19th century and early 20th century through present day continues to grow, augmented by acquisitions and gifts. The university is planning to construct a permanent museum and research institute to serve as a global magnet for the presentation and study of California Art within its social, historical, environmental, and cultural frameworks. Langson IMCA is currently located in an interim museum space at 18881 Von Karman Avenue, Suite 100, in Irvine, CA. It is open to all Tuesday through Saturday 10 am to 4 pm. Admission and parking are free. For more information, visit imca.uci.edu. Follow us on Instagram @langsonimca.

About the University of California, Irvine
Founded in 1965, UCI is the youngest member of the prestigious Association of American Universities. The campus has produced three Nobel laureates and is known for its academic achievement, premier research, innovation, and anteater mascot. Led by Chancellor Howard Gillman, UCI has more than 36,000 students and offers 222 degree programs. It is located in one of the world’s safest and most economically vibrant communities and is Orange County’s second-largest employer, contributing $5 billion annually to the local economy. For more on UCI, visit www.uci.edu.

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Media Contacts

For additional information, Libby Mark or Heather Meltzer at Bow Bridge Communications, LLC, New York City; info@bow-bridge.com.

Image Captions

William Lees Judson, California Coast, before 1928, Oil on canvas, 33 x 42 in. The Buck Collection at UCI Jack and Shanaz Langson Institute and Museum of California Art.

William Lees Judson, Avalon Bay, 1895, Oil on canvas, 12 x 19 in. UCI Jack and Shanaz Langson Institute and Museum of California Art, Gift of The Irvine Museum.

David Park, Forest Trail, circa 1954, Oil on canvas, 25 x 50 in. The Buck Collection at UCI Jack and Shanaz Langson Institute and Museum of California Art. © Courtesy of Hackett Mill, representative of the Estate of David Park.

Phil Dike, Corona del Mar (Newport Harbor), 1932, Oil on canvas, 24 x 30 in. UCI Jack and Shanaz Langson Institute and Museum of California Art, Gift of The Irvine Museum. © Woody and Judie Dike Collection.

Filed Under: Media Release, News

Spiritual Geographies: Religion and Landscape Art in California, 1890 – 1930 | New Langson IMCA Exhibition on view March 2 – June 8, 2024

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Langson IMCA Announces Recent Acquisition of 25 Artworks Expanding its Representation of Influential Artists with Ties to California

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Langson IMCA presents new exhibition—Bohemian of the Arroyo Seco: Idah Meacham Strobridge

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UC Irvine Jack and Shanaz Langson
Institute and Museum of California Art
University of California, Irvine
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Suite 100
Irvine, CA 92612

HOURS
Tuesday – Saturday | 10 am – 4 pm
Sunday & Monday | Closed

949-824-1449
imca@uci.edu

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Langson IMCA’s ongoing collections research continues to provide new information, which will result in updates, revisions, and enhancements to object records. At the time of publication image credits are reviewed by Langson IMCA’s curatorial staff and reflect the most current information the museum has in its database but may be incomplete.